98%
vMix
Live switching, triggers, overlays, audio buses and remote guests.
LIVE CONTROL ROOM
START CHALLENGE↓
TV DIRECTION✦LIVE PRODUCTION✦vMIX✦BROADCAST DESIGN✦CONTROL ROOM✦VISUAL STORYTELLING✦
TV DIRECTION✦LIVE PRODUCTION✦vMIX✦BROADCAST DESIGN✦CONTROL ROOM✦VISUAL STORYTELLING✦
CONTROL ROOM CHALLENGE
Can you take the show live
in 30 seconds?
Follow the cue on the program monitor and press the correct control. One wrong move resets the sequence.
PROGRAM
You have 30 seconds to complete the broadcast sequence.
LIVE
CURRENT OPERATIONConsole offline
Start the broadcast to receive your first cue.
STANDBY
00:00 — System ready.
LIVE SOUND PAD
Play a clean seven-note
broadcast melody.
Tap the pads to play Do, Re, Mi, Fa, Sol, La and Si. Every note lights up with its own color.
Keyboard notes are disabled by default. Turn on Keyboard Mode only when you want to play.
LIVE DIRECTOR CHALLENGE
Build the shot.
Beat the clock.
You have two minutes: choose or upload media, build the shot, start Record, then take it to Program with CUT, FADE, or MERGE.
PREVIEWEMPTY
SELECT MEDIA
PROGRAMSTANDBY
OFF AIR
LIVE
1. Media Inputs
Click any input at any time. It goes straight to Preview. Then use CUT, FADE or MERGE to send it to Program.
2. Shot Designer
Build the frame yourself — nothing is forced onto the media.
Broadcast SuccessfulYou made Program live before the deadline.
EXPERTISE
Calm under pressure.
Sharp on every cue.
01
Broadcast Direction
Calling cameras, coordinating talent and shaping the rhythm of a live program.
02
vMix Operations
Inputs, overlays, triggers, audio buses, remote guests and dependable live workflows.
03
Control-Room Production
Turning complex technical setups into a clear, repeatable and fast production system.
04
Visual Storytelling
Graphics, pacing and framing that make important stories easier to understand and remember.
CORE SKILLS
Technical precision.
Editorial instinct.
97%
Broadcast Direction
Timing, camera calls, talent coordination and live editorial decisions.
95%
Live Production
Reliable workflows for high-pressure, multi-source television programs.
92%
After Effects
Broadcast motion graphics, visualizers, titles and animated packages.
ABOUT
I make complicated live productions feel simple.
Sam Kazemi is a Broadcast Director and live-production specialist who turns complex control-room systems into calm, clear and repeatable workflows. He works across technical direction, editorial timing, camera coordination, audio, graphics, remote guests and real-time troubleshooting — the moving parts that must land together when a program is already live and there is no second take.
His approach combines the precision of an operator with the instincts of a storyteller. Whether building a vMix production, shaping the visual rhythm of a current-affairs program, coordinating a multi-camera conversation or solving a last-second signal problem, Sam focuses on one thing: making the technology disappear so the audience can stay with the story.
Beyond the live switch, he is interested in broadcast design, motion graphics, editing, sound, automation and practical systems that help creative teams move faster without losing quality. He is at his best in high-pressure environments where clear communication, fast decisions and a steady hand matter most.
LIVE DIRECTIONVMIX SYSTEMSEDITORIAL TIMINGREAL-TIME PROBLEM SOLVING
LET’S CREATE SOMETHING LIVE
Good broadcasts don’t happen by accident.
Email Sam ↗sam.kazmi0090@gmail.com